(Note: this article was originally published at FADPOV on 13-Aug-2007)
A devoted Trekkie and I recently attempted to list the Trek movies, in order. We came up with:
- The first one
- Khan. I mean, KHAAAAAAAN!
- The Search for Spock
- The… one with the whales?
- Um… The Undiscovered Country? Or was there another one in there?
- The one that was kind of boring, except for Malcolm McDowell…
The point I’m trying to make is that when people who are devoted enough to the various Trek series that they’ve sat through the horrific “Sub Rosa” multiple times can’t even remember how many movies have been made… the Powers That Be really need to make the next one unbelievably fantastic. As excellent as Zachary Quinto’s acting is (and it is), and as much as I adore every hair in his eyebrows (and I do), the rest of the movie is going to have to be just as amazing in order to really breathe life back into the franchise. So what, exactly, do I think they should keep in mind?
Get Kirk right. The movie may be focused on Spock, but without an equally capable Kirk, it’s going to fall flat. Some of the casting rumors I’ve heard have made me worry that they might go for an actor who’s got a fan base they think they can suck into the movie, rather than the best guy for the job. They don’t necessarily have to go with a total unknown, but I think they need to get creative in looking for a younger version of everyone’s favorite ladykilling charmer. They need an actor who’s shown he can be authoritatively arrogant yet charming, can toss lines off with sardonic humor, and can fit into those tight outfits without a girdle. Unfortunately, it was at this point that my friend suddenly yelled: “Neil Patrick Harris!” And I had to admit, he’s younger than Matt Damon, and his hair is already the right color for the hairpiece.
Expand the universe a little. There are trillions of sentient beings in the galaxy. Fan out from the stable of established characters - or their forebears, or their descendants - and show us some completely original ones. Part of me does like it when references are made to previous episodes and series, but I sometimes feel that the franchise has become overly self-referential and, in recent years, has spent more energy on trying to link plots into pre-existing storylines than on trying to make said plots good. Familiarity is nice, occasional in-jokes to long-time fans are nice, but I want something new and unexpected, too.
Redeem Archer. OK, having just said that… I think a nod ought to be given to Captain Jonathan Archer. To be honest, I always felt the character was a bit of a jerk despite the fact that he was supposed to so vital to the founding of the Federation, and wondered if he would have become more sympathetic if Enterprise had gone through a full seven-season run. Give Bakula 30 seconds of screen time, somehow, some way, even by having a character view old news clips. Give him a chance to make me like Archer and make me feel like he deserves to be revered (and to ease my unhappiness with Enterprise).
Cast one hell of a villain. This is one area where stuntcasting wouldn’t bother me, because to me, the antagonists are the most fun part of any movie or show. They need to be fun to watch. They need to be intelligent and inventive so that the protagonists are forced to get creative as well to match wits with them. They need to be unpredictable and maybe even slightly insane to keep me on the edge of my seat trying to guess what they’ll do next. Two words: Dennis Hopper. In my house, he’s known as “the man who can make even Waterworld seem like art”. He can chew scenery better than Ricardo Montalban and John de Lancie put together, and yet he’s never done anything in the Trek universe. This is a sad situation that must be rectified… immediately!
Product placement can be your friend. Sort of. One of the more bizarre aspects of the first season of Heroes was the way it made intrusive advertising twistedly fun. It’s hard to weave current products into the storyline of a film set a couple of centuries in the future, but as big as this movie is going to be, companies are going to be wracking their brains for a way to show they’d still be around and relevant in a utopian space-based society. (If you think I’m going to make a Tang joke here, you’re sadly mistaken.) I tried to figure out what kind of product could be worked in with as little intrusion as possible, and then I realized that above all else, the one thing that facilitates interaction between cultures is… shopping. And you can’t go shopping without your MasterCard. “Haircut? 20 credits. New gold lame evening wear? 75 credits. Being able to buy all the Orion slave girls your heart desires, without carting around those heavy bars of gold-pressed latinum? Priceless.”
In all seriousness, I feel a lot of empathy for J.J. Abrams and company as they deal with fan demands and incredibly high expectations. Being pulled between those expectations and the desire to give the story a fresh twist is something that could easily turn into a disastrous, unwinnable situation. When it comes right down to it, all I really want is a movie that fits into existing canon without creating continuity problems, and that doesn’t have a plot I’m able to predict after watching the first 10 minutes. Come on, guys. Make it so.